Though we still smell his perfume, the king is dead. The King of Trash.
He rolls over and over, can’t sleep, mumbling mantra after mantra on catholic (small ‘c’, anti-institutional restoration on semantic grounds). Thoughts of silence, sorrow, guilt, pleasure and blame. A sort of sadness, a blazing hope. He knows he’s going to survive tonight, like he survived the day. And his heart grows more vivid than ever. He celebrates, says goodbye, cherishes the ones he loved and… had to let go of.
Mr. Friday has grown flowers on his trash, and he has stopped eating them. The King transformed into an angelic breeze. Herr Doktor Introspektor ruthlessly decomposes and dissects the apple so bitter Eve wouldn’t bite it. While virile Adam-boy has gone grieving but returns to find hope in an eternal mantra that the best is yet, yet to come. There is no real epilogue, no real ending, only growth.
Beyond the dark feelings, I personally dare to hope to see a vibrant performer returning to the stage. A bit of anarchy cabaret reflecting Brel, Weill and Dietrich. The Return of the King! Hail. The man Friday overcomes.
